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Zeid, Wagdi. Bond and Stoppard vs Shakespeare: The Anxiety of Influence Cairo[?]: General Egyptian Book Organization, 1990; 109pp
Book Sections Bennison, Neil. "Accessing Character Through Conversation: Tom Stoppard's Professional Foul."
Exploring the Language of Drama: From Text to Context. Eds. Jonathan Culpepper, Mick Short and Peter Verdonk. London/New York: Routledge, 1998. 67-82. [ISBN: 0415137942 (hc), 0415137950 (pb)] [an abridgement of "Discourse Analysis, Pragmatics and the Dramatic 'Character': Tom Stoppard's Professional Foul." originally published in Language and Literature 2.2 (1993): 79-99.] Berlin, Normand. "Death: Hamlet and Rosencrantz and Guildenstern Are Dead."
The Secret Cause. Amherst: University of Massachusetts Press, 1981. 65-86. [reprinted as "Death in Rosencrantz and Guildenstern: I" in Critical Essays on Tom Stoppard. 1990. 43-50.] Bigsby, C. W. E. "Moral Dilemmas."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 128-137. [excerpted from Tom Stoppard. London: Longman Group, 1979. 29-41.] Billington, Michael. "Lord Malquist and Mr Moon."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 35-43 [excerpted from Stoppard, the Playwright. London: Methuen, 1987. 38-48.] Billington, Michael. "Travesties."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 121-128 [excerpted from Stoppard, the Playwright. London: Methuen, 1987. 97-105.] Boireau, Nicole. "Tom Stoppard's Metadrama: The Haunting Repetition."
Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage. Ed. Nicole Boireau. New York: St. Martin's, 1997. 136-151. [ISBN: 033366972X]. Brassell, Tim. "Ethics on the Wane."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 96-110. [excerpted from Tom Stoppard: An Assessment. London: Macmillan, 1985. 118-135.] Brater, Enoch. "Parody, Travesty and Politics in the Plays of Tom Stoppard."
Essays on Contemporary British Drama. Eds. Hedwig Bock and Albert Wetheim. Munich: Hueber, 1981. 117-130. Brater, Enoch. "Stoppard's Brit/lit/crit."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 203-212. Brustein, Robert. "Waiting for Hamlet: Rosencrantz and Guildenstern Are Dead."
The Third Theatre. New York: Knopf, 1969. 149-153. Bull, John. "Tom Stoppard: Open to the Public."
Stage Right: Crisis and Recovery in Contemporary British Mainstream Theater. Basingstoke: Macmillan, 1994. [ISBN: 0312120265 (hc), 031212029X (pb)] 192-206 Bull, John. "Tom Stoppard and Politics."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 136-154. Burton, Antoinette. "India, Inc.? Nostalgia, Memory and the Empire of Things."
British Culture and the End of Empire. Ed. Stuart Ward. Manchester/New York: Manchester University Press, 2002. 217-232. [ISBN: 0719060478 (hc), 0719060486 (pb)] Buse, Peter. "Hamlet Games — Stoppard with Lyotard."
Drama + Theory: Critical Approaches to Modern British Drama. Manchester/New York: Manchester University Press, 2002. 50-68 [ISBN: 0719057221 (pb)] Cave, Richard Allen. "An Art of Literary Travesty: Rosencrantz and Guildenstern, Jumpers."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 62-73. [excerpted from New British Drama in Performance on the London Stage: 1970 to 1985. Richard Allen Cave. Gerrards Cross [UK]: Colin Smythe, 1987. 70-81.] Chetta, Peter N. "Multiplicities of Illusion in Tom Stoppard's Plays."
Staging the Impossible: The Fantastic Mode in Modern Drama. Ed. Patrick D. Murphy. Westport, CT: Greenwood Press, 1992. [ISBN: 0313272700]. Cohn, Ruby.
Modern Shakespeare Offshoots. Princeton NJ: Princeton University Press, 1976. 211-218. Cohn, Ruby. "Tom Stoppard: Light Drama and Dirges in Marriage."
Contemporary English Drama. Ed. C.W.E. Bigsby. New York: Holmes & Meier Publishers, 1981. London: Edward Arnold, 1981. 109-120. Coursen, H. R. "Stoppard's Rosencrantz and Guildenstern Are Dead: The Film."
Shakespeare: Text and Theater: Essays in Honor of Jay L. Halio. Eds. L. Potter and A. F. Kinney. Newark: University of Delaware Press, 1999. 183-193. Colby, Douglas. "The Game of Coin Tossing: The Plays of Tom Stoppard."
As the Curtain Rises: On Contemporary British Drama, 1966-1976. Rutherford, NJ: Fairleigh Dickinson University Press, 1978. [ISBN: 0838621945]. 29-45. * Corballis, Richard. "Dirty Linen and New-Found-Land."
Tom Stoppard Ed. Harold Bloom. New York: Chelsea House Publisher, 1986. 151-159. [excerpt from Stoppard: The Mystery and the Clockwork. Oxford: Amber Lane Press / New York: Methuen, 1984.] Corballis, Richard. "Tom Stoppard's Children."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 261-279. Corballis, Richard. "Wilde/Joyce/O'Brien/Stoppard: Modernism and Postmodernism in Travesties."
Joycean Occasions: Essays from the Milwaukee James Joyce Conference. Eds. Janet E. Dunleavy, Melvin J. Friedman and Michael Patrick Gillespie. Newark: University of Delaware Press, 1991. 157-170. [ISBN: 0874134021]. Corballis, Richard. "Tom Stoppard."
British Playwrights, 1956-1995. Ed. William W. Demastes. Westport CT: Greenwood Press, 1996. 362-381. Crump, G. B. "Art and Experience in Stoppard's The Real Thing."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 319-341. Davidson, Mary R. "Transcending Logic: Stoppard, Wittgenstein, and Aristophanes."
Alogical Modern Drama. Ed. Kenneth S. White. Amsterdam: Editions Rodopi, 1982. 39-60. [ISBN: 9062037844]. Davis, Jessica Milner.
Farce [The Critical Idiom, No. 39]. London: Methuen, 1988. 82-86. Dean, Joan F. "Unlikely Bedfellows: Politics and Aesthetics in Tom Stoppard's Recent Works."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 243-259. Delaney, Paul. "Exit Tomas Straussler, Enter Tom Stoppard."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 25-37. Doll, Mary A. "Stoppard's Theatre of Unknowing."
British and Irish Drama Since 1960. Ed. James Acheson. Houndmills: Macmillan, 1993. 117-129. [ISBN: 0333532597]. Durham, Weldon B. "The Structure and Function of Tom Stoppard's Travesties."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 195-209. Dutton, Richard.
Modern Tragicomedy and the British Tradition. Norman, OK: University of Oklahoma Press [pb], 1986. [ISBN: 0806120258]. Edwards, Paul. "Science in Hapgood and Arcadia."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 171-184. Eldridge, Michael. "Drama as Philosophy: Professional Foul Breaks the Rules."
Drama and Philosophy. Ed. James Redmond. Cambridge: Cambridge University Press, 1990. 199-208. Feeney, Joseph J. "Fantasy in Structure: Layered Metaphor in Stoppard."
Forms of the Fantastic. Eds. Jan Hokenson and Howard D. Pearce. Westport, CT: Greenwood Press, 1986. [ISBN: 0313250359]. Foulkes, Richard. "Tom Stoppard."
British and Irish Dramatists Since World War II Ed. John Bull. Detroit: Gale Research, 2001. 274-289. Gaskell, Philip. "Stoppard, Travesties, 1974"
From Writer to Reader: Studies in Editorial Method. Oxford: Oxford University Press, 1978. 245-62. Gaskell, Philip. "Night and Day: The Development of a Play Text."
Textual Criticism and Literary Interpretation. Ed. Jerome J. McGann. Chicago: University of Chicago Press, 1985. 162-179. Guralnick, Elissa S. "The Imperfect Eye: Tom Stoppard's Artist Descending a Staircase." [revision of an article that originally appeared in PMLA 105.2, (1990)]
Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio. Athens, OH: University Press, 1996. [ISBN: 0821411284] 29-52. * Guralnick, Elissa S. "Stoppard's Radio and Television Plays."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 68-83. Harty, John. "Stoppard's Lord Malquist & Mr Moon: The Beginning."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 1-19. Hayman, Ronald. "Lord Malquist and Mr Moon."
Tom Stoppard Ed. Harold Bloom. New York: Chelsea House, 1986. 25-30. [excerpt from Tom Stoppard Fourth Edition. Ronald Hayman. London: Heinemann, 1982. Heuvel, Michael Vanden. "'Is Postmodernism?': Stoppard Among/Against the Postmoderns."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 213-228. Hodgson, Terry. "Freedom, Play and Rosencrantz and Guildenstern."
Modern Drama from Ibsen to Fugard. Terry Hodgson. London: Batsford, 1992. 182-192. Homan, Sidney.
The Audience as Actor and Character: The Modern Theater of Beckett, Brecht, Genet, Ionesco, Pinter, Stoppard, and Williams Lewisburg, PA: Bucknell University Press, 1989. Hunter, Jim. "Night and Day."
Tom Stoppard. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 119-126. [excerpt from Tom Stoppard's Plays. Jim Hunter. London: Faber and Faber, 1982.] Hunter, Jim. "Talking."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 203-215. [excerpt from Tom Stoppard's Plays. Jim Hunter. London: Faber and Faber, 1982. 98-114.] Huston, J. Dennis. "'Misreading' Hamlet: Problems of Perspective in Rosencrantz and Guildenstern Are Dead."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 47-66. Innes, Christopher. "Tom Stoppard: Theatricality and the Comedy of Ideas."
Modern British Drama 1890-1990. Christopher Innes. Cambridge: Cambridge University Press, 1992. 325-348. [ISBN: 0521305365 (hc), 0521315557 (pb)] [updated as Modern British Drama: The Twentieth Century. Cambridge: Cambridge University Press, 2002. 393-426.] Jenkins, Anthony. "Death in Rosencrantz and Guildenstern: II."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 50-62. [excerpt from The Theatre of Tom Stoppard. Anthony Jenkins. Cambridge: Cambridge University Press, 1987. 38-49.] Jenkins, Anthony. "Moles and Molecules: Tom Stoppard's Hapgood."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 164-174. [excerpt from The Theatre of Tom Stoppard, 2nd ed. Anthony Jenkins. Cambridge: Cambridge University Press, 1989. 183-192.] Kelly, Katherine E. "Breaking the Stalemate: The Stoppard Comedies Since Travesties."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 225-242. Kelly, Katherine E. "Tom Stoppard's Dramatic Debates: The Case of Night and Day."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 281-298. Kelly, Katherine E. "Staging Repetition: Parody in Postmodern British and American Theater."
Repetition in Discourse: Interdisciplinary Perspectives, Volume I. Ed. Barbara Johnstone. Norwood, NJ: Ablex, 1994. [ISBN: 089391830X (hc), 0893919314 (pb)]. Kerensky, Oleg.
The New British Drama London: Hamish Hamilton, 1977. 145-171. King, Kimball. "Tom Stoppard."
Twenty Modern British Playwrights: A Bibliography, 1956 to 1976. [Garland Reference Library of the Humanities]. New York: Garland, 1977. 217-230. Lee, Josephine. "In the Native State and Indian Ink."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 38-52. Levenson, Jill L. "Hamlet Andante / Hamlet Allegro: Tom Stoppard's Two Versions."
Shakespeare Survey. Ed. Stanley Wells. Cambridge: Cambridge University Press, 1983. Levenson, Jill L.. "Stoppard's Shakespeare: Textual Re-visions."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 154-170. Londré, Felicia Hardison. "From Zurich to Brazil with Tom Stoppard."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 343-363. [reprinted in Modern Dramatists: A Casebook of the Major British and American Playwrights Ed. Kimball King. New York: Routledge, 2001. 311-324. Mason, Jeffrey D. "Foot-prints to the Moon: Detectives as Suspects in Hound and Magritte."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 105-119. Nadel, Ira B. "Stoppard and Film."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 84-102. Nightingale, Benedict.
An Introduction to Fifty Modern British Plays. London: Pan, 1982. 405-422. Rabinowitz, Peter J. "'What's Hecuba to Us?' The Audience's Experience of Literary Borrowing."
The Reader in the Text: Essays on Audience and Interpretation. Eds. Susan R. Suleiman and Inge Crosman. Princeton: Princeton University Press, 1980. [ISBN: 0691100969] 241-263. Rabinowitz, Peter J. "Narrative Difficulties in Lord Malquist and Mr Moon."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 55-67. Rayner, Alice.
Comic Persuasion: Moral Structure in British Comedy from Shakespeare to Stoppard. Berkeley: University of California Press, 1987. [ISBN: 0520059174]. Richardson, Brian. "Plotting Against Probability: Tom Stoppard, Bharati Mukherjee, Angela Carter, and the Structure of Coincidence in Postmodern Narrative."
Unlikely Stories: Causality, Ideology, and Interpretation in Modern Narrative. Newark: University of Delaware Press, 1997. 157-181. [ISBN: 0874136091] Robinson, Gabrielle. "Leapfrog and Ambush in Stoppard."
Forms of the Fantastic. Eds. Jan Hokenson and Howard D. Pearce. Westport, CT: Greenwood Press, 1986. 241-250. [ISBN: 0313250359] Robinson, Gabrielle. "The Stereotype Betrayed: Tom Stoppard's Farce."
Themes in Drama 10: Farce. Ed. James Redmond. Cambridge: Cambridge University Press, 1988. 237-250. Rodway, Allan. "Stoppard's Comic Philosophy."
English Comedy: Its Role and Nature from Chaucer to the Present Day. University of California Press, 1975.[reprinted in Tom Stoppard Ed. Harold Bloom. 1986. 7-14.] Salter, Charles H. "Rosencrantz and Guildenstern Are Dead."
Insight IV: Analyses of Modern British and American Drama. Ed. Hermann J. Weiand. Frankfurt: Hirschgraben, 1975. 144-150. Sammells, Neil. "A Politics of Disengagement."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 137-147. [excerpted from Tom Stoppard: The Artist as Critic. London: Macmillan, 1988. 132-142.] Sammells, Neil. "The Early Stage Plays."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. [ISBN: 0521641780] 104-119. Schippers, J. G. "Stoppard's Nestroy, Schnitzler's Stoppard; Or, Humpty Dumpty im Wiener Wald."
Linguistics and the Study of Literature. Ed. Theo D'haen. Amsterdam: Editions Rodopi, 1986. [ISBN: 9062037178] Schlueter, June. "Stoppard's Moon and Birdboot, Rosencrantz and Guildenstern."
Metafictional Characters in Modern Drama. New York: Columbia University Press, 1979. 89-103. [reprinted in Tom Stoppard Ed. Harold Bloom. 1986. 75-86.] Schlueter, June.
Dramatic Closure: Reading the End. Madison, NJ: Fairleigh Dickinson University Press, 1995. [ISBN: 0838635830] * Schwanitz, Dietrich. "The Method of Madness: Tom Stoppard's Theatrum Logico-Philosophicum."
Essays on Contemporary British Drama. Eds. Hedwig Bock and Albert Wetheim. Munich: Hueber, 1981. 131-154. Schwarz, Alfred.
From Büchner to Beckett. Athens OH: Ohio University Press, 1978. 325-332. Shultz, Shirley and Russell Astley. "Travesties: Plot and the Moral Tilt."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 211-224. Simard, Rodney.
Postmodern Drama: Contemporary Playwrights in American and Britain. Washington: American Theatre Assn.-UPA, 1984. 49-74. Simard, Rodney. "Seriousness Compromised by Frivolity: Structure and Meaning in Tom Stoppard's Travesties."
Tom Stoppard: A Casebook. Ed. John Harty, III. New York: Garland Publishing, 1988. 173-194. Sinfield, Alan. "Making Space: Appropriation and Confrontation in Recent British Plays."
The Shakespeare Myth. Ed. Graham Holderness. Manchester: Manchester University Press, 1988. 128-144. [ISBN: 0719014883] Stern, Guy. "From Austria to America via London: Tom Stoppard's Adaptations of Nestroy and Schnitzler."
The Fortunes of German Writers in America: Studies in Literary Reception. Eds. Wolfgang D. Elfe, James N. Hardin and Günther J. Holst. Columbia: University of South Carolina Press, 1992. [ISBN: 0872497860] Taylor, John Russell.
The Second Wave: British Drama for the Seventies New York: Hill & Wang, 1971. London: Methuen, 1971. 94-107. Thompson, Doreen. "Stoppard's Idea of Woman: 'Good, Bad, or Indifferent?'"
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 194-203. Tynan, Kenneth. "Withdrawing With Style from the Chaos."
Show People: Profiles in Entertainment. New York: Simon and Schuster, 1979. 44-123.
Originally published as "Profiles: Tom Stoppard" in The New Yorker, 19 Dec. 1977: 41-111. Watson, Wallace Steadman. "Rewriting Nabokov: The Stoppard / Fassbinder Despair."
Understanding Rainer Werner Fassbinder: Film as Private and Public Art. Columbia, SC: University of South Carolina Press, 1996. [ISBN: 1570030790] * Whitaker, Thomas R.
Fields of Play in Modern Drama. Princeton NJ: Princeton University Press, 1977. 9-34. Whitaker, Thomas R. "Language, Lunacy and Light."
Tom Stoppard. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 127-137. [excerpted from Tom Stoppard. Thomas R. Whitaker. London: Macmillan, 1983.] Whitaker, Thomas R. "Logics of the Absurd."
Critical Essays on Tom Stoppard. Ed. Anthony Jenkins. Boston: G. K. Hall & Co., 1990. 110-120. [excerpted from Tom Stoppard. Thomas R. Whitaker. London: Macmillan, 1983. 68-84.] Whitaker, Thomas R. "The Music of Serious Farce: Wilde, Shaw, Orton and Stoppard."
Mirrors of Our Playing: Paradigms and Presences in Modern Drama. Thomas R. Whitaker. Ann Arbor: University of Michigan Press, 1999. 41-64. [ISBN: 047211025X] Wright, Anne. "Tom Stoppard."
British Dramatists Since World War II. Ed. Stanley Weintraub. Detroit: Gale, 1982. 482-500. Zarhy-Levo, Yael. The Theatrical Critic as Cultural Agent: Constructing Pinter, Orton and Stoppard as Absurdist Playwrights. New York: Peter Lang, 2001. [ISBN: 0820444790] Zeifman, Hersh. "A Trick of the Light: Tom Stoppard's Hapgood and Postabsurdist Theater."
Around the Absurd: Essays on Modern and Postmodern Drama. Eds. Enoch Brater and Ruby Cohn. Ann Arbor: University of Michigan Press, 1990. [ISBN: 0472102052] / Ann Arbor: University of Michigan Press [pb], 1992. [ISBN 0472081934] Zeifman, Hersh. "Comedy of Ambush: Tom Stoppard's The Real Thing." (originally in Modern Drama 26, 1983)
Contemporary British Drama, 1970-90. Eds. Hersh Zeifman and Cynthia Zimmerman. Toronto: University of Toronto Press [pb], 1993. 217-231. [ISBN: 0802074537] Zeifman, Hersh. "The Comedy of Eros: Stoppard in Love."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. 185-202. [ISBN: 0521641780] Zinman, Toby. "Travesties, Night and Day, The Real Thing."
The Cambridge Companion to Tom Stoppard. Ed. Katherine E. Kelly. Cambridge: Cambridge University Press, 2001. 120-135. [ISBN: 0521641780] Various Authors.
Contemporary Authors, Volumes 81-84 (Frances Carol Lochner, editor) Detroit: Gale Research, 1979 Various Authors.
Contemporary Authors: New Revision Series, Volume 39 (Susan M. Trosky, editor) Detroit: Gale Research, 1992 [ISBN: 0810319934] Various Authors.
Contemporary Literary Criticism, Volume 29 (Jean C. Stine and Daniel G. Marowski, editors) Detroit: Gale Research, 1984 Various Authors.
Contemporary Literary Criticism, Volume 34 (Sharon K. Hall, editor) Detroit: Gale Research, 1985
Includes excerpts of writings about "The Real Thing" Various Authors.
Contemporary Literary Criticism, Volume 63 (Roger Matuz, editor) Detroit: Gale Research, 1991
Includes excerpts of writings about "Rosencrantz and Guildenstern Are Dead" Critiques in Scholarly Journals Abbotson, Susan C. W. "Stoppard's (Re)vision of Rosencrantz and Guildenstern: A Lesson in Moral Responsibility." English Studies 79.2 (Mar. 1998): 171-183. Alwes, Derek B. "'Oh, Phooey to Death!': Boethian Consolation in Tom Stoppard's Arcadia." Papers on Language & Literature 36.4 (Fall 2000): 392-404. Arndt, Susanne. "'We're All Free To Do as We're Told': Gender and Ideology in Tom Stoppard's The Real Thing." Modern Drama 40.4 (Winter 1997): 489-501. Astington, John H. "The Clever Dog and the Problematic Hare." Modern Drama 36.4 (Dec. 1993): 578-581. Babula, William. "The Play-Life Metaphor in Shakespeare and Stoppard." Modern Drama 15.3 (Dec. 1972): 279-281. Bailey, John A. "Jumpers: The Ironist as Theistic Apologist." Michigan Academician 11.3 (Winter 1979): 237-250. [reprinted in Tom Stoppard Ed. Harold Bloom. 1986. 31-43.] Barker, Roberta. "The Circle Game: Gender, Time, and 'Revolution' in Tom Stoppard's The Coast of Utopia." Modern Drama 48.4 (Winter 2005): 706-725. Barry, Norman. "Freedom and Morality in the Plays of Tom Stoppard." Ideas on Liberty 49.8 (Aug. 1999): 16-19. Beardsley, Tim. "Sex and Complexity." (review of Arcadia) Scientific American 277.1 (July 1997): 98. Bennett, Jonathan. "Philosophy and Mr. Stoppard." Philosophy 50.191 (Jan. 1975): 5-18. [reprinted in Critical Essays on Tom Stoppard. 1990. 73-87.] Bennison, Neil. "Discourse Analysis, Pragmatics and the Dramatic 'Character': Tom Stoppard's Professional Foul." Language and Literature: Journal of the Poetics and Linguistics Association 2.2 (1993): 79-99. [an abridgement was reprinted in Exploring the Language of Drama: From Text to Context. Eds. Jonathan Culpepper, Mick Short and Peter Verdonk. London/New York: Routledge, 1998. 67-82.] Berlin, Normand. "Rosencrantz and Guildenstern Are Dead: Theatre of Criticism." Modern Drama 16.3-4 (Dec. 1973): 269-277. Billman, Carol. "The Art of History in Tom Stoppard's Travesties." Kansas Quarterly 12 (1980): 47-52. Boireau, Nicole. "Marginalising the Centre: The Case of Tom Stoppard." Contemporary Drama in English 2 (1994): 99-108. Blumenfeld, Yorick. "The Dramatic Relationship Between Soccer and Freedom." Horizon 21 (Apr. 1978): 90-92 Brassell, Tom. "Jumpers: A Happy Marriage?" Gambit 10.37 (Summer 1981); 42-59 Brouwer, W. "The Image of the Physicist in Modern Drama." (Part 2) American Journal of Physics 62.3 (Mar. 1994): 234-240. Buhr, Richard J. "Epistemology and Ethics in Tom Stoppard's Professional Foul." Comparative Drama 13.4. (Winter 1979/80): 320-329. Buhr, Richard J. "The Philosophy Game in Tom's Stoppard's Professional Foul." The Midwest Quarterly 22 (Summer 1981): 407-415. Bull, John. "From Illyria to Arcadia: Uses of Pastoral in Modern English Theater." Triquarterly 116 (Summer 2003): 57-72. Callen, Anthony. "Stoppard’s Godot." New Theatre Magazine 10 (1969): 22-30. Camroux, David. "Tom Stoppard: The Last of the Metaphysical Egocentrics." Caliban 15 (1978): 79-94. Carlson, Marvin. "Is There a Real Inspector Hound? Mousetraps, Deathtraps, and the Disappearing Detective." Modern Drama 36.3 (Sep. 1993): 431-442. Carpenter, Charles A. (compiler) "Bond, Shaffer, Stoppard, Storey: An International Checklist of Commentary." Modern Drama 24.4 (1981): 546-556. Carroll, Peter. "They Have Their Entrances and Their Exits." Teaching of English 20 (1971): 50-60. Chung, Moonyoung. "Stage as Hyperspace: Theatricality of Stoppard." Modern Drama 48.4 (Winter 2005): 689-705. Cobley, Evelyn. "Catastrophe Theory in Tom Stoppard's Professional Foul." Contemporary Literature 25.1 (Spring 1984): 53-65. Cooke, John William. "The Optical Allusion: Perception and Form in Stoppard's Travesties." Modern Drama 24.4 (Dec. 1981): 525-539. [reprinted in Tom Stoppard Ed. Harold Bloom. 1986. 87-100.] Corballis, Richard. "Extending the Audience: The Structure of Rosencrantz and Guildenstern Are Dead." Ariel: A Review of International English Literature 11.2 (Apr. 1980): 65-79. Crossley, Brian M. "An Investigation of Stoppard's 'Hound' and 'Foot'." Modern Drama 20 (Mar. 1977): 77-86. [reprinted in Tom Stoppard Ed. Harold Bloom. 1986. 15-24.] Crump, G.B. "The Universe as Murder Mystery: Tom Stoppard's Jumpers." Contemporary Literature 20.3 (Summer 1979): 354-386. [reprinted in Tom Stoppard Ed. Harold Bloom. 1986. 45-57; also reprinted in Tom Stoppard: A Casebook. 1988] Darling, Robert. "Tom Stoppard: Deconstruction and the Question of Value." Bulletin of the West Virginia Association of College English Teachers 11 (Autumn 1989): 69-81. Davidson, Mary R. "Historical Homonyms: A New Way of Naming in Tom Stoppard's Jumpers." Modern Drama 22 (1979): 305-313. Davis, Todd F. and Kenneth Womack "Reading (and Writing) the Ethics of Authorship: Shakespeare in Love as Postmodern Metanarrative." Literature Film Quarterly 32. 2 (2004); 153-162. Delaney, Paul. "The Flesh and the Word in Jumpers." Modern Language Quarterly 42 (Dec. 1981): 369-388. [revised in Tom Stoppard: The Moral Vision of the Major Plays. Paul Delaney. London: Macmillan, 1990: 36-57.] Delaney, Paul, Guralnick, Elissa S. "Structure and Anarchy in Tom Stoppard." PMLA 106:5 (Oct. 1991): 1170-1172. Delaney, Paul. "Cricket Bats and Commitment: The Real Thing in Art and Life." Critical Quarterly 27.1 (Spring 1985): 45-60. [reprinted, with slight alterations in Critical Essays on Tom Stoppard. 1990. 147-164; a third version appears as "'Not of the Flesh but Through the Flesh': Knowing and Being Known in The Real Thing" in Tom Stoppard: The Moral Vision of the Major Plays. Paul Delaney. London: Macmillan, 1990: 105-124] Demastes, William. "Re-Inspecting the Crack in the Chimney: Chaos Theory from Ibsen to Stoppard." New Theatre Quarterly 10.39 (Aug. 1994): 242-254. Diamond, Elin. 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The Wall Street Journal, 1 Feb. 1980: 17. [reprinted in Tom Stoppard in Conversation. 1994] Hayman, Ronald. "Double Acts: Tom Stoppard and Peter Wood." Sunday Times Magazine, 2 Mar. 1980: 29-31. [reprinted in Tom Stoppard in Conversation. 1994] Kuurman, Joost with Wim van Klaveren and Simon Popma. "An Interview with Tom Stoppard." Dutch Quarterly Review of Anglo American Letters 10 (1980): 41-57. [reprinted in Critical Essays on Tom Stoppard. 1990. 15-27.] Hardin, Nancy Shields. "An Interview with Tom Stoppard." Contemporary Literature 22.2 (Spring 1981): 153-166. Gollob, David and David Roper. "Trad Tom Drops In." Gambit 10.37 (Summer 1981): 5-17. [reprinted in Tom Stoppard in Conversation. 1994] Pendennis. "Dialogue with a Driven Man." The Observer, 30 Aug. 1981: 18 Gussow, Mel. "The Real Tom Stoppard." The New York Times Magazine, 1 Jan 1984: 18-28. Freedman, Samuel G. "Stoppard Debates the Role of the Writer." New York Times, 20 Feb. 1984: Sect.C, p.13. Buck, Joan Juliet. "Tom Stoppard: Kind Heart and Prickly Mind." Vogue [US] (Mar. 1984): 454, 513-514. [reprinted in Tom Stoppard in Conversation. 1994] Asquith, Ros. "City Limits Interview: Tom Stoppard." City Limits, 19 Oct. 1984. O'Connor, Garry. "Two Men on an Ocean Wave." Sunday Times, 21 Oct. 1984: 39. [reprinted in Tom Stoppard in Conversation. 1994] Rousuck, J. Wynn. "In The Real Thing, Stoppard's trying for realism — for once." Baltimore Sun, 28 Apr. 1985. Colvin, Clare. "Interview." Drama 3 (1985). Sullivan, Dan. "Stoppard: Getting the Right Bounce." Los Angeles Times, 2 June 1986. Mitchell, Sean. "Just Who, Really, is Tom Stoppard?" Los Angeles Herald Examiner, 18 Dec. 1986. Buckley, Peter. "Tom Stoppard: boy genius grows up." New York Daily News, 17 May 1987: 3. Billington, Michael. "Stoppard's Secret Agent." The Guardian, 18 Mar. 1988: 28. [reprinted in Tom Stoppard in Conversation. 1994] Guppy, Sasha. "Tom Stoppard: The Art of Theatre VII." Paris Review 30.109 (Winter 1988): 26-51. [reprinted in Tom Stoppard in Conversation. 1994] O'Connor, Thomas. "Welcome to the World of Tom Stoppard." Orange County Register, 2 Apr. 1989: K3-K5. [reprinted in Tom Stoppard in Conversation. 1994] Schiff, Stephen. "Full Stoppard." Vanity Fair 52.5 (May 1989): 152-157,214-215. [reprinted in Tom Stoppard in Conversation. 1994] Maychick, Diana. "Stoppard Ascending." New York Post, 26 Nov. 1989. [reprinted in Tom Stoppard in Conversation. 1994] Stevenson, William. "For Some, Screenplays Aren't Just Writes of Passage." New York Magazine, 11 Feb. 1991. Stanley, Paul. "Move Over, Hamlet." San Francisco Chronicle, 24 February 1991: 14. Smith, Sid. "Script Jockey: The Flickering Images of Theatre." The Theatre Magazine 1 (Apr. 1991): 16-19. [reprinted in Tom Stoppard in Conversation. 1994] Allen, Paul. "Third Ear." Broadcast on BBC Radio Three, 16 Apr. 1991. [reprinted in Tom Stoppard in Conversation. 1994] Reynolds, Gillian. "Tom's Sound Affects." Interview with Gillian Reynolds, Daily Telegraph, 20 Apr. 1991: Weekend Sect. 24. [reprinted in Tom Stoppard in Conversation. 1994] Twisk, Russell. "Stoppard Basks in a Late Indian Summer." The Observer, 21 Apr. 1991: 75. [reprinted in Tom Stoppard in Conversation. 1994] Goreau, Angeline. "Is the Real Inspector Hound a Shaggy Dog Story?" New York Times, 9 Aug. 1992; Sect. 2, pp. 5,8. [reprinted in Tom Stoppard in Conversation. 1994] Nathan, David. "In a Country Garden (If It Is a Garden)." Sunday Telegraph, 28 Mar. 1993: Arts Sect. p. XIII. [reprinted in Tom Stoppard in Conversation. 1994] Hawkes, Nigel. "Plotting the Course of a Playwright." The Times, 13 Apr. 1993: Sect. 2, p. 29. [reprinted in Tom Stoppard in Conversation. 1994] Kelly, Katherine E. und William W. Demastes. "The Playwright and the Professors: An Interview with Tom Stoppard." South Central Review 11 (Winter 1994): 1-14. Gussow, Mel. "Happiness, Chaos and Tom Stoppard." American Theatre 12.10 (Dec. 1995): 22-29. Hughes, Sam. "Stoppard: A Play in Three Acts." Pennsylvania Gazette 94.6, 1996. Hollinger, Michael. "The Good Words of Tom Stoppard." Seven Arts, Jan. 1997. Bywater, Michael. "Interview." New Statesman, 9 May 1997; 38-39. Span, Paula. "Living on Bard Time." Washington Post2 6 Dec. 1998; C1. East, Louise. "Enter a Free Man." Irish Times, 16 Jan. 1999; 5. Gardner, Lyn. "The Heart in the Closet." Guardian Weekend, 16 Jan. 1999; 15. Billen, Andrew. "A Play About Myself? It's Not a Subject I Have an Appetite For." Evening Standard, 27 Jan. 1999. Giles, Jeff and Yahlin Chang. "Talking Shop at Oscar Time." Newsweek, 8 Feb. 1999; 58-61. Spencer, Charles "What Tom Thinks of Oscar." The Daily Telegraph, 27 Feb. 1999, A1. "Shakespeare's Scribe: Playwright Tom Stoppard." Broadcast on CBS Sunday Morning, 28 Feb. 1999. Raymond, Gerald. "Stoppard Reinvents Love." Advocate, 8 May 2001; 69-71. Barrett, Amy. "Endless Love." New York Times Magazine, 20 May 2001; 23. Riddell, Mary. "The government, says our most revered playwright, has money for any crisis, but not for the arts." The New Statesman, 8 July 2002. Tusa, John. "Interview." Broadcast on BBC Radio 3, 11 July 2002. [Online Link to transcript] Return to Home Page | 
