Plays for the Stage

"I write plays because writing dialogue is the only respectable way of contra-
dicting yourself.  I'm the kind of person who embarks on an endless leapfrog
down the great moral issues.  I put a position, rebut it, refute it, refute the
rebuttal, and rebut the refutation.  Forever.  Endlessly."
— Tom Stoppard
from an interview with Mel Gussow in the New York Times, 26 April 1972.

The Major Plays
Arcadia
The Coast of Utopia: A Trilogy
[Voyage / Shipwreck / Salvage]
Dirty Linen and New-Found-Land
Hapgood
Indian Ink
The Invention of Love
Jumpers
Night and Day
The Real Inspector Hound
The Real Thing
Rock 'n' Roll
Rosencrantz and Guildenstern Are Dead
Travesties

Other Plays
After Magritte
Albert's Bridge
Artist Descending a Staircase
Dogg's Hamlet, Cahoot's Macbeth
Dogg's Our Pet
Enter a Free Man
Every Good Boy Deserves Favour
The Gamblers
Higg and Cogg
If You're Glad I'll Be Frank
"M" is for Moon Among Other Things
A Walk on the Water
The (15 Minute) Dogg's Troup Hamlet

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